Ismail Jaddi works by “feel.”He uses simple equipment and a wanderer’s openness to the situations and sights in the environment, as opposed to expensive equpment and studio set-ups, to make his art. The old maxim, “Be there and be packing,” applies to his approach; he packs either his cellphone or his highly portable Fujifilm XT-100 to assemble stories of Moroccan life and the interface of contemporary and traditional cultures.
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